Assignment #1 History of European Film
1.Discuss the cultural and social motivations behind the birth of Italian Cinema
Italy, as one of the pioneering countries, has played a significant role in the development of the art of cinematography and the movie industry. ... Many of the immigrants are torn between going back, and many in fact do, or to heed the advice of people wiser that they to leave Italy and never return least they be lured back into that snare (Nuovo Cinema Paradiso, 1988). ...
The Italian movie directors look upon Italian history with a jaundice eye. ...
Assignment #1 History of European Film
2. ... Discuss the social importance and impact of this post-
war movement in Italy and whether it has survived in contemporary Italian
Cinema ?
Italian Neo-Realism is one of the most historically influenced periods of cinema. ... Few other periods of film history are so deeply influenced by the political ideal and social history of their time. ... It is in the end the perfect aesthetic illusion of reality: no more cinema. ... A flood of American products, American popular music, jazz, and Hollywood movies swept into Italy, influencing the cultural life and, of course, Italian cinema. ... The American market for westerns bottomed out just when European demand for this kind of film was growing. ... The incredible vitality of Italian cinema in this decade owes much to the innovations of the neo-realists although later film makers would be the ones to actively study their works. ... Both Antonioni and Fellini (who worked as a screenwriter for numerous Neo-Realist films, including those of Rossellini) came to terms with their Neo-Realist roots by creating spot-on representations of modern alienation and insisting on Marxist critiques of history and culture.
Assignment #1 History of European Film
3.Discuss the role of arthouse cinema in France. ...
Between 1960 and 1993 France produced more films per year than any other European country. Moreover, many of those films established Frances reputation as a maker of innovative and high-quality cinema.
Cinema is taken seriously in France with a variety of magazines dedicated to it - Cahiers du cinéma, Première, Studio Magazine - as well as other forms of media coverage. ...
French suburban arthouse cinemas have been growing in popularity and organise their own specialised festivals such as Week of Russian / German Cinema or else The great Films of Werner Fassbinder.
Many critics claim that European cinemas greatest strength lies, not in producing action or science fiction movies like those produced by the large Hollywood studios, but by producing smaller-budget `art house films. The term `art house cinema, or simply `art cinema is commonly used by film critics to designate the varied range of cinemas - usually, although not exclusively - from Europe that offer an alternative to the popular genres (thrillers, actioners, sci-fi, romantic comedies, westerns etc. ... Certainly, in terms of academic discourse, that is to say our ways of talking about French national cinema, most have addressed French film in terms of a certain number of filmmakers or "auteurs" and movements, in particular la nouvelle vague.
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