The independent movie tends to use visually shocking images, ones that the viewer and not normally familiar with. ... Hollywood studios may frequently overlook such an image as this as they aim to deliver a mere pleasurable experience, whereas the independent filmmakers often seem to attempt to create some kind of bliss or even orgasmic setting. ...
During the 1980’s especially, there were a surge of Hollywood movies, such as ‘Rambo’, The Indiana Jones trilogy and a variety of Jean Claude Van Damme films that focused on individualism, the role of the hero and a happy or at least safe ending. These conventions have been established within Hollywood and one may argue are expected within mainstream cinema. ... I think this is a case of how independent films often pose alternative conventions to the ones used so frequently by Hollywood. ... This also is unlike the movies that are produced within Hollywood studios. ... When we take this into account and see that it was nominated for seven Academy Awards, it shows that Independent films are capable of competing with those of Hollywood status.
That is, of course, not to say that the conventions used by Hollywood are not successful. In terms of profit, they make far more than the average independent movie, which is surely a measure of their success. ...
The Coen brothers have experienced success in both independent and Hollywood surroundings. ...
The talents of Clooney and Newman may well have been added or at least influenced by the Hollywood studio that the Coen’s were working under. Hollywood films are commonly produced in order to make a mass profit, and, by introducing actors such as Clooney and Newman, ones who have a cult following, they are almost guaranteed viewers, and therefore, money. ...
In my view, independent films seem to welcome a number of techniques that Hollywood seemingly rejects. ...
It raises an interesting point to whether independent films often pose a ‘rough cut’, as oppose to a polished end product. The Hollywood studios often simplify their storylines, whether it is through narration or through conversations held between certain characters. ... Usually in Hollywood films the each shot lasts somewhere between 2 and 5 seconds, but within many of the Coen’s films, the average shot length is more like 6 to 10 seconds. ...
Some say that these kinds of movies are less of a ‘professional film’. ...
The Coen’s’ ‘The Big Lebowski’ (1997) contains a number of very different conventions, making it a very unusual film, certainly by Hollywood standards, or even that which I am familiar with. ...
It is these kind of conventions that set the independent film industry apart from Hollywood. ... Hollywood seems reluctant to try and break the distance down, whereas independent films, such as these by the Coen’s, could not try harder to distance them from the normality or mainstream cinema. ... It seems to be a running theme within the Coen’s movies, where they challenge the viewers with fairytale features such as the ones I have listed. This is something that is completely foreign to the average Hollywood film. ... Sequences such as these would more often than not be cut out of Hollywood films. ... Their movies indeed carry a number of radical or even disruptive conventions, such as the fairytale elements. ... Indeed, that is what Hollywood has been so successful in doing, whereas independent filmmakers frequently portray life as it really is. ... I think it is these kinds of portrayals that help to distinguish mainstream cinema from that of independent. ...
The exclusion of happy endings is often something that independent filmmakers include. ... It is this incident, for me, that stops the film from having a perfect ending – a perfect ending being one that we see so frequently in Hollywood. ... I think all of these are signs that the Coen’s like to challenge the viewer in every film they make, by breaking the conventions and codes set by Hollywood. ... Independent films are often labelled as independent due to their low budget, their unknown actors and their rather bizarre storyline.
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