Italian neo-realism is one of the most historically influenced periods of cinema. ... It was here at this state film school that key figures in Italian neo-realism trained, all were experienced filmmakers and knew each other. ...
However, they all had the desire to break free of the conventions of ordinary Italian commercial cinema. ...
One of first films classed as neo-realist was Visconti’s ‘Obssessione,’ (Obsession) 1942. ... The film was slightly before the actual Neo-realism movement but did contain some of the movements themes and styles and could be said to have provided a blueprint for neo-realism. ... This trend became known as the neo-realist movement.
Zavattini is said to be the theoretical founder of neo-realism, he regretted the fact that cinema was purely illusionary and believed that cinema was a ‘medium for a message’, he wanted to capture the dignity and sacredness of the everyday, ordinary people within this realist movement. ...
The neo-realist movement saw within its films the use of topical scripts. ...
Neo-realist filmmakers wanted to show events from the point of view of the common people. ...
Aesthetically the ‘realism’ of the neo-realist movement’s main aim was the authentic representation of human reality. ... Assisted by new, lightweight, mobile cameras and shooting on the streets and in private buildings made the Italian camera operators became very skilful in the art of cinematography. ...
Many neo-realist filmmakers felt imprisoned by the studio. ...
Although neo-realist films did use famous stage and film actors, they also did where ever possible make use of non-actors. ... ”
Perhaps the most influential method of neo-realism was its conception of story telling. ...
Neo realism directly opposed the classic Hollywood narrative and reacted against the intricately plotted “white telephone” dramas.
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