The brothers Coen, Joel and Ethan, occupy one of those unique positions within the US studio system, making their own movies with what seems from the outside little studio interference. ...
One thing that has been a staple of all the Coen’s work is their use of black humour. ...
Starting with the themes explored within the Coen universe, it becomes apparent that the stories that unfold are a mere inconvenience to the characters and situations that inhabit them. A journalist who spent time with the brothers while they were writing the screenplay for Raising Arizona described how they ‘hung out together’ at Joel’s house and talked through their ideas. ... Although a tongue in cheek statement, this kind of writing style best describes the subplots and characters that every Coen movie possesses.
As explained earlier, the Coen narrative style seems to be linked intrinsically by its set pieces, the structure slowly ambles along until it hits a peak and jumps dramatically and suddenly, before drifting off and peaking again.
The attention to detail, the plot twists and the generally accepted intelligence of the Coen’s work is what makes them unique. ...
While taking these obvious movie themes as a basis for their work, it should be noted that this is all part of the bigger Coen agenda. ... It’s these very characters that allow the Coen’s the space to explore strange situations and create the black humour that’s so prevalent. ... Also, the two ‘funny looking’ girls in Fargo, characters that are truly a Coen creation. ... Within the Coen universe there is a definite theme of characters becoming displaced, moved around and placed into something bigger.
Characters tend to transcend time and location, the Coen character traits are seen throughout the timeline their movies explore. ... The situations change but the characters remain the same, rich with detail and speaking with their own syntax, all speaking in a special Coen manner.
Almost always taking a male perspective, the Coen’s often explore the relationships between men, how they communicate and bond, how they express feelings for each other, this could be due to the Coen’s own close brotherly relationship. ... Irrelevant details, like Marge Gunderson’s pregnancy in Fargo create the meat of the Coen’s work; it’s the details that make them who they are.
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