Of all of the worlds’ non-western music, none seems to be as familiar and at the same time as alien as Indonesian gamelan. ...
Gamelan’s first appearance in the west is a debated subject, but it is agreed upon that individual instruments (as opposed to whole ensembles) were imported from the East Indies to Europe in the early 19th century. ...
Even though the west now had the capability of making gamelan music, it was a long time before the west actually heard gamelan. ... It was not the music itself that captivated Varese and other east-meets-west pioneers, but the realization that musical systems outside of the western twelve tone system could be employed to compose complex arrangements in a semi-western fashion. ... These early compositions were composed for and from homemade instruments assembled from scrap yard junk and household products and could certainly be viewed as precursors to his later east-meets-west compositions. ... “The singer in Aneh Tapi Nyata laments the rootlessness of the modern west, and asks the Balinese for their leftover sacred offerings” (Perlman, 2000; p. ... It, along with all of the composers aforementioned, stands as proof that the gamelan tradition will live on in the west even if does not live on in the east. ... However, somewhere deep down inside, the essence of gamelan exists and lives on in the west.
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