Nicholas Poussin and Claude Lorrain, who lived much of their lives in the great ancient city of Rome, lived in a land rich with ruins and classical antiquity which served as a testament to a grander time in history. As artists from the Baroque style, both Lorrain and Poussin created their masterpieces during the 17th century. ... Poussin and Lorrain both used historical scenes and an intricate landscape formula to create their paintings, and in turn made a statement about classical antiquity. Through their many paintings Poussin and Lorrain used the Roman landscape to create a heroic vision of ancient Rome and evoke a sense of pastoral serenity of a Golden Age, which was based on a synthesis of land, trees, buildings, figures, and light which undoubtedly inspired generations of artists to come.
Nicolas Poussin was born in France; however he spent the majority of his life in Rome. ... Poussin painted scenes of tremendous emotional significance, but always composed them so that we are distanced from the emotional turmoil. ... Poussin derived much inspiration and compositional ideology from his analysis of the art of Rome. He agreed strongly with the idea of the perfection of classical Antiquity. ... Poussin admired the perfection of the ancient artists, and like many other artists, strove to equal the importance of that perfection. In Poussin’s painting “Landscape with St. ... With boulders scattered around the landscape, as the only testament to an older time, Poussin in this scene uses natural colors in association with a balanced landscape of trees on both the right and left sides of the painting to humanize this very religious scene that one would think would take place in a fluffy cloud in the sky. Although Poussin uses ruins in this painting, he didn’t always use Roman ruins, but gathered what they might have looked like in their full and beautiful glory, as he did in “Landscape with the Gathering of the Ashes of Phocion by his Widow”.
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