Both Emma in Jane Austen’s Emma and Cher in Amy Heckerling’s Clueless portray symbolical manifestations and representational products of their social environment. ...
In observing Jane Austen’s Emma and Amy Heckerling’s Clueless one if forced to observe the paralleled values in both texts. ...
A prominent binary in establishing disparate contexts within Emma and Clueless is that of ‘propriety’ against ‘equality and expression’. Propriety is a principle issue within Jane Austen’s social context of Emma, the correctness and admiration towards ‘wealth’ in 1816 is very much observed. ... Weston “She knows nothing herself, and looks upon Emma as knowing everything” testifies the inferior’s admiration and regard towards the wealthy and fortunate. ... In Emma the prospect of Harriet displaying disrespect
towards the protagonist would have contravened Austen’s social context, whereas Tai’s ability to verbalise irreverence towards Cher shows a change in social acceptability, thus social context. Heckerling’s introduction of Cher being held at gunpoint, and robbed and Cher being hectored by her father’s employee brings Cher to a parity in her social context, moreso than Emma. ...
‘Appearance’ in both Jane Austen’s Emma and Heckerling’s Clueless has great stress placed on it. ...
In Emma, the value of appearance is ascertained through manners, respect, propriety, gentility and elegance whereas in Clueless, appearance is measured by image, materialism, fashion, possessions and ‘whatever’. ... All characters within Emma wear social masks and act in accordance to class and rank. ... Emma’s promiscuous flirting towards Mr. ... Emma, who typifies her social character, regards the lesser Mr. ... This example confirms Jane Austen’s value of appearance within Emma
Amy Heckerling places great importance on 1995’s value towards appearance to establish her social context. Materialism, image and possessions and ‘are all concerns within Clueless which testify its context. The opening sequence of laughing, flirting, stylish girls with the protagonist laden with shopping bags, an expensive car, bikinis, and a luxurious swimming pool visually establishes the social milieu, as well as the values of materialism, possessions and image within Clueless. ... The exaggerated costuming within Clueless and Cher’s love of her “satin red heels” confirms the importance of possession within the chosen film text.
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